Writing and Recording

Chris Vos here.  You know, looking back, I am thankful that I was personally in one of the scariest places of my life when we recorded this record. When I arrived in New York to do this with Andy and the guys, I was fresh off of a move from Milwaukee to Los Angeles. So, when I landed in NYC I was still reeling from having just made the crazy decision to suddenly move halfway across the country and was generally doubting if I was still of sound mind.

My cab arrived from the airport at Andy’s apartment on the kind of humid summer morning that can only happen in New York.  Once I saw Andy I realized that he was in the throws of massive changes in his own life! My first thought was, “How are we going to do this? We are both clearly freaked out, and we need to find a way to make this work.”  Now, Andy and I have always been very chilled out when we work together. However, this time was different somehow.  I think like we both felt like we had something we wanted to say but didn’t know what it was yet.   The problem was, we really didn’t have much time, we were going to be recording in a matter of a few days. So, other than a show at The Bitter End, we would not have much time to rehearse the new material.

Enter the morning of the recording.  I woke up, and I still had not written the lyrics to some of the tunes, including “Burn Me Down”!  I am a little concerned at this point and thinking, ” I can’t believe I flew out here and I have no idea what to do!”  I found myself sitting there, on Andy’s couch, drinking coffee and drifting inside some hazy mixture of confusion and fear.   I distinctly remember being so worried that I was going to let everybody down.  Finally, at somepoint that morning,  I just decided I had to try and start catching up to the conflicts that were floating around in my head. Once I began writting I felt a really strong push from so many emotions. I was thinking about the my recent move, missing my friends and family, missing my wife who was in LA, and generally just being worried that I was on the verge of totally blowing it for everybody. It was a combination of all those thing I think that made what had been impossible to put into words for the months really clear to me.

After about an hour, I noticed that I had some words and stories that I really believed in, and I couldn’t wait to sing them.  The first time that I sang the completed lyrics to “Burn Me Down” was the first take that I did with the band.  We had only two days in the studio to cut the whole record!  In order to save on time, we decided to cut the vocals live with the band.   I found that needing to sing the song with the band live created a feeling so much stronger about the content and performance.

Honestly, the recording itself went by in a blur.  I just remember feeling so relieved when I heard the playback and could really focus in on what the rest of the guys where doing.  That fuzzy feeling of defeat and fear gave way to a feeling of relief and happiness. What I remember most was Neesley smiling in a huge toothy grin as we listened to the recordings that night back at his place sitting on that couch.

The day after the recording was done, I was back on a plane to LA, and Andy was starting the process of mixing the tracks.  It was a great experience, and I can’t thank everyone enough who recorded on this record!  Finally, if you are this far in the message, then thanks for reading my little tale, and as always thanks for listening to our music!  Both Andy and myself really appreciate it so much….

Nicholas Max Scarpinato

Yo guys. See that awesome photo on the front page?

http://www.neesandvos.com

The photographer’s name is Nicholas Max Scarpinato. Here’s his Flickr feed:

http://www.flickr.com/people/nicholasmax/

When I saw that photo, I thought it would be a perfect match for this upcoming tune. Dig it?

At Grand Street Recording Today

We’re here with Tomek bright and early today for a full day of mixing. I’ve slept about four hours but I’m raring to go.

You may be surprised about how much goes into just one tune. While we recorded this album top to bottom live, we still have many tracks to manage. Between the full band, full horns, strings, percussion and background singers, we’re talking maybe 20 people playing at once.

Chris and I have chosen a killin’ single cover for this first tune. I’ll reveal that soon.

Mixing at the end of the month

Our first single of the new album is almost finished! We’re going back to the studio at the end of the month to do final mixing on “Burn Me Down.”

After that is just mastering and uploading to the various digital outlets e.g. iTunes, CD Baby etc.

So proud of this first tune. Hope you dig it. The album art is awesome too.

Weekend Snack

A quick hit here. For you fine backers of our upcoming album, there’s a new post over on Kickstarter. Check it out here.

That’s it for today!

Nees at The Apollo Theater

I’ve listed this gig on the show page. Here’s a little more about it.

I play trumpet in the Bobby Sanabria Big Band. Bobby is an awesome percussionist and pedagogue. He’s actually one of the foremost authorities on Afro-Cuban music. Hell, many of the other foremost authorities on this music play in the band too.

At any rate, I first met Bobby at The Manhattan School of Music while I was going for my Master’s. He teaches at MSM as well as the New School downtown. After graduating, he hired me onto his pro band where I’ve been playing fourth trumpet ever since.

On his band, I’ve traveled across the country and the world–we toured Italy in 2007 or 2008. Last year we played an outdoor concert at Lincoln Center that was attended by around 20,000 people! That’s the equivalent to a sold out event at MSG. That night we backed Larry Harlow amongst other great musicians.

This show coming up at the Apollo is certainly dear to me–I mean it’s the Apollo. I grew up sneaking a TV into my bedroom on Saturday nights so I could watch SNL then Live at The Apollo. The guests we’ll have with us are just as dear to me.

Candido will be playing conga. Candido is an NEA Jazz Master among other titles; he was the first to do many things in this music. We’ll be playing a suite I wrote in his honor aptly titled “¡Que Viva Candido!”. It was first performed by the MSM Afro-Cuban Big Band at their concert in celebration of his 90th birthday.

Also performing with the band will be trumpeter Jon Faddis. I have many memories of Mr. Faddis, but I’ll save those for another post. Suffice to say, he’ll blow your socks off.

Last but not least, we’ll be celebrating Mario Bauzá, one of the founders of this music.

Anyway, you should come. Info:

100 Years of Maria Bauza

Tix:

Buy your tickets here

Tumblr

So I’ve set up a Tumblr account too. Can’t get me enough of that social networking! Bah! Humbug.

http://neesandvos.tumblr.com

The Tumblr site will mirror what you read on here. Happy reblogging.

Grand Street Recording

Man…  today went well.  That’s all I got right now.  Very pumped about the day and totally spent.  Thank you to everybody that came down to make music.  What a great day.

Recording Tomorrow

We’re going back into the studio tomorrow.  Pretty pumped.  I rehearsed the background singers yesterday; they sounded very tight.  They’re singing on only a few tunes, but they add a nice touch.  After they’re done, the string players are coming in for an hour or so.  I’m excited to be able to work with these people.  I’ll post some photos later this week.

May 22nd PRESS CONFERENCE IN PROTEST OF GRAMMY TRAVESTY

The world-famous Nuyorican Poets Cafe in the Lower East Side of Manhattan, N.Y., will host a press conference by artists, presenters, celebrities and media to voice opposition to the recent announcement by the National Academy of Recording Arts and Sciences (NARAS) to eliminate Latin Jazz from Grammy consideration along with many other styles of music which represent the musical diversity of the American musical landscape.

Sunday May 22nd, 2011 at 1 PM

Nuyorican Poets Cafe
236 East 3rd Street
between Avenues B & C
New York, NY

(212) 780.9386

There will be brief statements presented in support of the reinstatement of the eliminated fields followed by Q&A.  Among the distinguished panel of presenters and others from the various musical communities affected by this decision will be:

Eddie Palmieri – Legendary pianist, 8-time Grammy winner and former NARAS Board of Governors member, responsible for getting Latin jazz recognized as a category;

Larry Harlow – Legendary Salsa pianist/bandleader, former NARAS Board of Governors member, responsible for getting Salsa recognized as a category, 3-time Grammy nominee;

Arturo O’Farrill – Grammy winner, pianist, bandleader, educator;

Bobby Sanabria –- Drummer, percussionist, bandleader, educator, 4-time Grammy nominee,

René Lopez –- Grammy-winning producer, Latin-music historian, advisor to Jazz at Lincoln Center;

Candido Camero – Legendary conguero, NEA Jazz Master;

Ned Sublette - N.Y. Times bestselling author of Cuba and Its Music: From The First  Drums to the Mambo and New Orleans: After The Flood; President, QBA Disc Records;

T.J. English – N.Y.Times bestselling author of The Westies, Havana Nocturne, The Savage City;

Chris Washburne – Trombonist, Professor of Ethnomusioclogy at Columbia University, Director of Jazz Studies;

Jochem Becher – President of ZOHO Records;

Ivan Acosta –- Award-winning film maker, President of Latin Jazz U.S.A., NARAS Committee Member Latin Music;

Randy Klein – President of Jazzheads Records, pianist, composer, 4-time EMMY winner;

Jackie Harris –- Executive Director, Louis Armstrong Jazz Camp; New Orleans, Louisiana.

COMPLETELY OPEN TO THE PUBLIC