Head on over to Faronheit to listen to some N&V as well as some Andrew Bird and Morgan Page (with special guests Tegan & Sara).

Uncle Shag featured us on his podcast today alongside Graham Colton, Delta Spirit and Rosie Thomas.

Longtown Sound on WLSO.FM is loaded with new music. Each day’s message is deep in the music of the indie artists. Every tune is “ear-picked” and approved by the host, Uncleshag. Longtown Sound stats indicate a listener number in the range of 80,000 weekly listeners. Longtown Sound offers direct downloads through 5000+ daily emails, three web sites, and audio/stream provided by the Parkinson’s Satellite Network.

Yahoo! Music has featured Nees and Vos under New Videos–Mariah Carey, Lenny Kravitz, Snoop Dogg and Nees and Vos. WOW!

Yahoo! Music features Nees and Vos alongside Mariah Carey, Lenny Kravitz and Snoop Dogg.

HOPE YOU’RE HAVING AN AWESOME HOLIDAY!

Here are a few of the photos taken by the great Brooklyn photographer Ovi Stoica. As usual, he captures the magic of the night well. Head over to Facebook to view the entire set of photos.

The calm before the storm.

Lüc Carl introduces the band.

Getting things started.

Ben and Dave blowin' hard.

Click over to Facebook to view the entire set of photos.

Jake laying the foundation on the conga.

Nees is feelin' it.

Vos is feelin' it too.

Nees and Vos Live at Gramercy Theatre

Vos is goin' for it.

Ya know, there’s a ton more photos on Facebook!

Nees is directing the band.

Nees and Vos Live at Gramercy Theatre

Stormin' Norman killin' it as usual.

Vos doin' his thing.

Nees and Vos Live at Gramercy Theatre

Maybe you should join us on Facebook to view the entire set of photos.

Vos is gettin' deep.

So is Nees.

Dave is workin' the tambourine.

Nees announcing the cats in the band.

Norman is gettin' it.

Nees and Vos Live at Gramercy Theatre

I hear you can to view the entire set of photos on Facebook.

Nees and Vos Live at Gramercy Theatre

Vos gettin' at the soul.

Jayme workin' it out on the low end.

Nees and Vos Live at Gramercy Theatre

Vos leavin' it all on the stage.

Wanna see more!? These are only small pieces of the shoot from that night.  Head over to Facebook to view the entire set of photos in all their glory. Thanks Ovi and Thanks Jen for all the great photos!

Here’s the Gramercy Theatre recap of our show on 12/9/11. What an amazing time we just had. I’m just about to pass out over all the work that went into this show. I have no idea where to begin… So I’ll just highlight some of my favorite moments.

Photo by Jenn Ditezler for JAD Photography

First off–THE SHOW SOLD OUT! How awesome is that? At Gramercy Theatre! We hit at 8pm while the headliner, The Dirty Pearls, didn’t hit until 11pm. But that didn’t matter!

Photo by Jenn Dietzler for JAD Photography

We got there for the sound check earlier that evening.  The front of house sound guy looked at our stage plot and asked me if I was joking.  I told him “Nah, we really have 18 people playing in the band,” with dead pan expression on my face no less. Thankfully, the staff was very accommodating and hooked us up with everything we needed.  Mics, equipment etc.  The guys from the band playing after us also helped us out by lending us a few pieces of their gear.  Thanks Brothers!

We hit the ground running with our ol’ standard Pretty Girl.  The crowd instantly lit up. Vos gave it his usual gusto along with powerful solos from Dave Richards on the tenor sax.

Next we did our rendition Gnarls Barkley’s Who’s Gonna Save My Soul. Man did the horn section shine on this tune.  We had seven horns on this show, hailing from far and wide. Frank Cohen on bass bone and Philip Dizack deserve a shout out on this tune.  Frank’s deep bass bone tone and Philip’s stylized trumpet playing lay a perfect foundation for Chris’ gut-wrenching singing.  Then Chris gave way to our three killin’ background singers, Tania Jones, Mel Flannery, and Amanda Brecker.  Those three girls can sing!

Angel came next. This is always one of my favorite tunes to rock out. Norman as usual killed it. I can say no more!

We then brought the temperature up even another notch and kicked off Shine Through, from our upcoming new album. Chris and I actually haven’t settled on a name for this tune yet, but we’re tentatively calling it Shine Though.  It begins with Normanblasting away on a big beat drum pattern that can only get your blood rushing. Jayme, on bass, lays down so many tasty licks.  We also heard from Greg Chen on piano as well as the rest of the horns and percussion.  In fact, everybody got a taste on this tune. Mike Gorham on trumpet, Philip Dizack on trumpet, Dave Richards on tenor sax, Ben Dobay on alto sax, Natalie Cressman on trombone, Frank Cohen on trombone, Mark McGinnis on tuba, Dave Whitman on percussion and Jake Goldbas on percussion; they all played a killin’ solo!

Photo by Jenn Dietzler for JAD Photography

This all lead up to Matt Beck ripping it up on the slide guitar solo.  Can’t say enough about this dude.  Chances are if you’ve listened to the radio in the last ten years, you’ve heard this guy play the guitar!

To end our set, we turned to the first single from our upcoming album, Burn Me Down.  By the way, Burn Me Down has just eclipsed 10,000 plays on YouTube! Awesome! Can’t say enough about the band on this one. They brought the music to a new level. I should have just expected as such with all the wonderful talent assembled on one stage… I can’t wait to share this tune with more people live.

We ended the night listening to the following bands and enjoying a great hang. Thank you all you great people that came and gave your support. I can’t wait until the next time! Thanks you Brothers, Sex Slaves and The Dirty Pearls!

Photo by Jenn Ditezler for JAD Photography

Here’s snapshot of the fine cats joining us on Dec. 9th for the Gramercy Theatre show.  As you can see, we’ve got an awesome group of talented, brilliant people with us.

Vos and I can’t wait.  We start rehearsals shortly and I’m even excited for those!  We’re keeping our set list a secret for the time being, but I think you’ll dig what’s coming your way.  By the way, have you got your tickets yet!?  I hope so!

Chris Vos
Andrew Neesley

Matt Beck • Guitar
Jayme Silverstein • Bass
Norman Edwards • Drums
Greg Chen • Keyboards

Mike Gorham • Trumpet
Philip Dizack • Trumpet
Dave Richards • Tenor Sax
Ben Dobay • Alto Sax
Natalie Cressman • Trombone
Frank Cohen • Trombone
Mark McGinnis • Tube

Dave Whitman • Percussion
Jake Goldbas • Percussion

Tania Jones • Vocals
Mel Flannery • Vocals
Amanda Brecker • Vocals

Here are some additional details regarding our upcoming show at Gramercy Theatre.  Great bands on the bill.  Don’t be the only person to lose out and miss the show!  It will sell out, so grab your tickets soon.

THE ROCK N ROLL FOOD DRIVE
Hosted By Lüc Carl (Drunk Diet Author, Sirius/XM DJ) www.drunkdiet.com
Featuring The Dirty Pearls: www.thedirtypearls.com
With Special Guests
Sex Slaves: www.sexslavesnyc.com
Brothers: www.brothersnyc.com
Nees and Vos: www.neesandvos.com
Guest DJ: Ian Eldorado

GRAMERCY THEATRE (23rd & Lex)
Friday | December 9th | 7:30pm
Tickets $15/$18 Door
Click For Tickets
ALL AGES!!!

NEW SHOW JUST ANNOUNCED AT THE GRAMERCY THEATRE!

This is awesome. We’re playing at the Gramercy Theatre on Friday, December 9th! Doors open at 7:30pm and it’s all ages so bring your kid sister.

We’re paying in support of my good friend’s band The Dirty Pearls. Hosting the night is Lüc Carl and also appearing is Brothers.

Brand new but already a classic, The Dirty Pearls come straight from the streets of New York City, all sex, drugs and rock n’ roll bravado delivered with sharp hooks, witty lyrics and a seedy swagger reminiscent of the finest 1970’s-era rock acts. Fans have christened the band the “Supergroup of the East Village” as much for their pedigree (their lineup boasts former members of some of NYC’s best and most beloved local bands) as for their consistently sold-out—every NYC gig to date, in fact—live shows.

The band’s history begins with lead singer Tommy London, who in early 2006 set out in search of four fine young men eager to stir up some NYC-style rock n’ roll; four guys intent on resurrecting the magic conjured by The Ramones and The New York Dolls. Guitarist Johnny B. and drummer Marty E. arrived first, followed soon after by guitarist Tommy Mokas and bassist Doug Wright. And The Dirty Pearls were born.

The Gramercy Theatre is huge!  But–this show will sell out quickly.  Get your tickets today!  We’ll have a pre-party and after-party to be determined at a later date.  Hope you can all make it!

Tickets: http://www.livenation.com/event/0000474799D391A7

Built in 1937 and designed by architect Charles A. Sandblom in the Streamline Moderne style, the theatre is located at 127 E. 23rd St in the historic Gramercy neighborhood.

In 2006, Live Nation bought the space with the intention of turning it into an intimate concert venue. The first performance under Live Nation was Stellastarr on March 7, 2007. On April 26, 2007, Blender Magazine became an official namesake sponsor and the venue was renamed the Blender Theater at Gramercy (note: ‘Theatre’ was officially changed to ‘Theater’ for the sponsorship.) After two years, the name changed back to the Gramercy Theatre without a sponsorship in the name –’Theatre’ remains to be spelled as the aforementioned instead of ‘Theater’.

BE THERE. YOU WON’T WANNA MISS IT!

We’re back in the studio today mixing “Remember Me”.  Chris first brought this tune to my attention on late night in Milwaukee.  I had been home for the holidays and made my way out to the Jazz Estate for the music and the hang.  They have a great Tuesday night lineup of old friends playing mostly improvised music.

Towards the end of the night, Chris began singing this song.  I was blown away.  I knew we had to share it through the musical eyes of the band.  Featuring a string quintet, guitars and organ (as well as Chris and background vocals), it’s a little different take on the Willie Nelson standard.

A shout out to Meagan Gilliland who hopped in the vocal booth on the fly to record the background vocals with Chris.  That’s one thing I love about having talented friends hang out while we record.  You never know when inspiration will strike for a new sound.

Lastly, I can’t express enough what a pleasure it’s been to work with our our engineer and de facto co-producer Tomek Miernowski.  It’s very refreshing to work with a guy who has great ears on top of being a great dude.  He’s grown to be a large part of the music you’re hearing.  If you’re ever in need of a great studio, give him a shout at Grand Street Recording.

Chris Vos here.  You know, looking back, I am thankful that I was personally in one of the scariest places of my life when we recorded this record. When I arrived in New York to do this with Andy and the guys, I was fresh off of a move from Milwaukee to Los Angeles. So, when I landed in NYC I was still reeling from having just made the crazy decision to suddenly move halfway across the country and was generally doubting if I was still of sound mind.

My cab arrived from the airport at Andy’s apartment on the kind of humid summer morning that can only happen in New York.  Once I saw Andy I realized that he was in the throws of massive changes in his own life! My first thought was, “How are we going to do this? We are both clearly freaked out, and we need to find a way to make this work.”  Now, Andy and I have always been very chilled out when we work together. However, this time was different somehow.  I think like we both felt like we had something we wanted to say but didn’t know what it was yet.   The problem was, we really didn’t have much time, we were going to be recording in a matter of a few days. So, other than a show at The Bitter End, we would not have much time to rehearse the new material.

Enter the morning of the recording.  I woke up, and I still had not written the lyrics to some of the tunes, including “Burn Me Down”!  I am a little concerned at this point and thinking, ” I can’t believe I flew out here and I have no idea what to do!”  I found myself sitting there, on Andy’s couch, drinking coffee and drifting inside some hazy mixture of confusion and fear.   I distinctly remember being so worried that I was going to let everybody down.  Finally, at somepoint that morning,  I just decided I had to try and start catching up to the conflicts that were floating around in my head. Once I began writting I felt a really strong push from so many emotions. I was thinking about the my recent move, missing my friends and family, missing my wife who was in LA, and generally just being worried that I was on the verge of totally blowing it for everybody. It was a combination of all those thing I think that made what had been impossible to put into words for the months really clear to me.

After about an hour, I noticed that I had some words and stories that I really believed in, and I couldn’t wait to sing them.  The first time that I sang the completed lyrics to “Burn Me Down” was the first take that I did with the band.  We had only two days in the studio to cut the whole record!  In order to save on time, we decided to cut the vocals live with the band.   I found that needing to sing the song with the band live created a feeling so much stronger about the content and performance.

Honestly, the recording itself went by in a blur.  I just remember feeling so relieved when I heard the playback and could really focus in on what the rest of the guys where doing.  That fuzzy feeling of defeat and fear gave way to a feeling of relief and happiness. What I remember most was Neesley smiling in a huge toothy grin as we listened to the recordings that night back at his place sitting on that couch.

The day after the recording was done, I was back on a plane to LA, and Andy was starting the process of mixing the tracks.  It was a great experience, and I can’t thank everyone enough who recorded on this record!  Finally, if you are this far in the message, then thanks for reading my little tale, and as always thanks for listening to our music!  Both Andy and myself really appreciate it so much….